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Document Relief 26 (Amazon Delivery Drone patent), 2020

Image courtesy of the artist and the gallery

    Joy Global semi-autonomous longwall coal mining 7LS8 shearer promotion screen video token, 2020


      Simon Denny (b.1982)

      Simon Denny (b. 1982 Auckland, New Zealand) lives and works in Berlin, Germany. He makes exhibitions that unpack the social and political implications of the technology industry and the rise of social media, startup culture, blockchains and cryptocurrencies, using a variety of media including installation, sculpture, print and video. In 2016 he co-founded the artist mentoring program BPA//Berlin Program for Artists and has served as Professor of Time-Based Media at The Hochschule für bildende Künste Hamburg (HFBK) since 2018. Denny studied at the Elam School of Fine Arts, University of Auckland, graduating with a BFA in 2005, and at the Städelschule, Frankfurt am Main, completing a Meisterschule in 2009. 


      Recent selected solo exhibitions


      Mine, Petzel, New York, 2021

      Simon Denny—Worker Cage Document Reliefs, Fine Arts Sydney, Australia, 2020

      K21: Simon Denny, K21, Düsseldorf, Germany, 2020

      Mine, Museum of Old and New Art, Hobart, Australia, 2019

      Simon Denny: The Founder’s Paradox, MOCA Cleveland, 2018

      Hammer Projects: Simon Denny, Hammer Museum, Los Angeles, 2017

      Innovator’s Dilemma, MoMA PS1, New York, 2015


      Denny represented New Zealand at the 56th Venice Biennale, and his work has featured in large-scale thematic exhibitions including the 55th Venice Biennale, Manifesta 11, 9th Berlin Biennale, 6th Moscow Biennale, 13th Lyon Biennale, 12th Guangzhou Triennial, 8th Gwangju Biennale, 1st Brussels Biennale, Montreal Biennale, and the 16th Biennale of Sydney.


      Public Collections


      Museum of Modern Art, New York

      Museum of New Zealand, Wellington, New Zealand

      Walker Art Center, Minneapolisw

      Danjuma Collection, UK

      Chartwell Collection, Auckland Art Gallery Toi o TÃmaki, New Zealand

      Petzel

      Friedrich Petzel Gallery, founded in 1994, first opened  in the Soho area of New York City. Operating currently two spaces in New York City and one joint gallery in Berlin, Friedrich Petzel Gallery has continued to develop its program around a group of contemporary artists who are renowned internationally; the gallery also deals in outstanding artworks from the last thirty years.


      Image courtesy of the artist and the gallery. 

      My horse, Roma, Valley of the Queens, Luxor, Egypt, 2003


        Electric Gaja, Paris, 2010

        Image courtesy of the artist and the gallery 

          Nan Goldin (b.1953)

          Nan Goldin was born in Washington D.C. in 1953. She lives and works in New York City. One of the most important and influential artists of her generation, Goldin has revolutionized the art of photography through her frank and deeply personal portraiture. Over the last 45 years Goldin has created some of the most indelible images of the 20th and 21st centuries. Since the late 1970s her work has explored notions of gender and definitions of normality. By documenting her life and the lives of the friends who surround her, Goldin gives a voice and visibility to her communities. In 2017 Goldin formed the activist group P.A.I.N. (Prescription Addiction Intervention Now) which stages protests aimed at US pharmaceutical drug companies. 


          Recent selected solo exhibitions


          Memory Lost, Marian Goodman Gallery, New York, 2021

          The Ballad of Sexual Dependency, Arts Institute of Chicago, Chicago, IL, 2020

          The Ballad of Sexual Dependency, Tate Modern, London, 2019

          Fata Morgana, Château d’Hardelot, Condette, France, 2018

          Weekend Plans, Irish Museum of Modern Art, Dublin, Ireland, 2017

          The Ballad of Sexual Dependency, Museum of Modern Art, New York, 2017


          Public Collections


          Metropolitan Museum of Art, New York

          Museum of Modern Art, New York

          Tate Modern, London

          Museum of Contemporary Art, Los Angeles

          Centre Georges Pompidou, Paris

          Solomon R. Guggenheim Museum, New York

          Museum of Contemporary Art, Chicago

          Museum of Fine Arts, Boston

          Art Institute of Chicago, Chicago

          Collection Lambert, New York

          Currier Museum of Art, Manchester

          Getty Museum, Los Angeles

          The Jewish Museum, New York

          National Gallery of Australia, Canberra

          National Museum of Women in the Arts, Washington

          San Francisco Museum of Modern Art, San Francisco

          Marian Goodman Gallery

          Marian Goodman Gallery was founded in New York City in late 1977. For over forty years, Marian Goodman Gallery has played an important role in introducing European artists to American audiences and helping to establish a vital dialogue among artists and institutions working internationally. 


          Image courtesy of the artist and the gallery.

          Untitled, 2020

            You're a thing, 2020

              Alex Hubbard (b.1975 )

               Alex Hubbard (b. 1975, Tolego, Oregon) is a Los Angeles-based artist whose work encompasses video art and painting, exploring the boundaries of each via a cross-examination that invigorates both media in new and inventive ways. Constructed along parallel lines, his videos and paintings explore composition, mass, colour and depth of images in unexpected ways. Avoiding a single point of focus, Hubbard constructs his videos in layers, engulfing the viewer with bold colours, performative gestures and evolving, all-over compositions in which movement is multi-directional and time appears to be non-linear. Often described as 'moving paintings', the videos are a record of physical creation and destruction, with the hand of the artist tangible, and sometimes visible, in the frame. 


               In counterpoint to the videos, Hubbard’s paintings often suggest a mechanical means of production. Fields of colour in fibreglass and resin are interrupted with richly pooled, dripped and poured paint. Working with fast-drying materials, such as epoxy and latex, the artist is forced to act quickly, embracing chance happenings and revelling in the autonomy of his chosen media. Such anti-hierarchical materials and techniques provide a corollary to the DIY aesthetic of the video works. And through this deconstruction every traditional opposition of the formal language of painting is opened up: figure and ground, material and illusionistic depth, the horizontality of production and the verticality of display. 


              Recent selected solo exhibitions


               Simon Lee Gallery, Hong Kong, 2021

              In the Near Field, Galerie Eva Presenhuber, New York, NY, 2021 

              The Corner of the Table, Regen Projects, Los Angeles, CA, 2019 

              Alex Hubbard: Projectors, Gaga & Reena Spaulings, Los Angeles, CA, 2019 

              Private Lives, Galerie Neu, Berlin, Germany, 2018 

              Chemical Compulsion, Galerie Eva Presenhuber, Zurich, Switzerland, 2017 

              Homemade Readymades, Eleni Koroneou Gallery, Athens, Greece, 2017 


              Public Collections


              Museum of Modern Art, New York

              Solomon R. Guggenheim Museum, New York

              Whitney Museum of American Art, New York

              Zabludowicz Collection, London

              Rubell Family Collection, Miami

              Institute of Contemporary Art, Miami, Miami

              Walker Art Center, Minneapolis

              Hammer Museum, Los Angeles

              Art Institute of Chicago, Chicago

              University of Chicago, Chicago

              Marciano Art Foundation, Los Angeles

              National Gallery of Victoria, Melbourne, Australia

              Henry Art Gallery, Seattle

              Seattle Art Museum, Seattle

              Rose Art Museum, Waltham

              FRAC Corse, Corte, France

              FRAC Poitou-Charentes, Angoulême, France

              Vanhaerents Art Collection, Brussels, Belgium

              Colleción Jumex, Mexico City, Mexico

              Lisson Gallery

              Founded in London in 2002, Simon Lee Gallery represents artists of diverse generations whose practices explore a wide range of media, from sculpture and painting to video and photography, and who share a broad interest in an exploration of the conceptual. Aiming to provide a significant international audience for its artists, the gallery also regularly punctuates its programme with historical exhibitions and curated group shows, which present shifts in contemporary art practice and thought, whilst broadening the dialogue with artists outside of the gallery’s core programme. In addition to its UK activity, in 2012 the gallery opened a space in Hong Kong, which introduced its artists to a wider public in Asia, with a fully independent programme. In 2014, Simon Lee Gallery opened an office and private viewing space in New York. In 2017, this space was re-launched with a year-round programme of exhibitions and events, showcasing the work of emerging and established artists in dynamic group and solo exhibitions.


              Image courtesy of the artist and the gallery.

              Pitcher, 2020

                Chum, 2020

                  Trawler, 2020

                    Dena Yago (b.1988 )

                    Dena Yago (b. 1988, New York, NY) lives and works in New York City.


                    Yago is a founding member of the trend-forecasting group K-HOLE.


                    Her work has been reviewed in The New York Times, Frieze, Artforum, Art in America, Flash Art, Mousse Magazine, CURA Magazine, Garage Magazine, Bomb, and DIS Magazine, among others. Yago has published numerous texts including "The Walls Stays in the Picture: Destination Murals in Los Angeles" (e-flux journal, 2019); "Soft Serve: On Food, Affect, and the Silicon Valley Workplace" (Frieze, 2019); "Content Industrial Complex" (e-flux journal, 2019); "Bad Memory" (Flash Art, 2017); "On Ketamine and Added Value" (e-flux, 2017); and "Empire Poetry" (Texte zur Kunst, 2016). Multiple books of her work have been published including Fade the Lure (After 8 Books, 2019); Esprit Reprise (Pork Salad Press, 2015); and Ambergris (Bodega Press, 2014).


                    Recent selected solo exhibitions


                    Dry Season, Bodega, New York, NY, 2020

                    Force Majeure, High Art, Paris, France, 2019

                    The Shortest Shadow, Atlanta Contemporary, Atlanta, GA, 2018

                    The Lusting Breed, Bodega, New York, NY, 2017

                    Heck & The Divested Set, Sandy Brown, Berlin, Germany, 2016

                    In Escrow, High Art, Paris, France, 2016

                    You and You’re People, Boatos Fine Art, Sao Paulo, Brazil, 2014


                    Recent group exhibitions include Frans Hals Museum, Haarlem, The Netherlands; Kunsthal Aarhus, Aarhus, Denmark; The Hammer Museum, Los Angeles; The Museum of Modern Art, Warsaw; Watermill Center, Watermill, NY; Emalin, London; Bortolami, New York, NY; and Park View/Paul Soto, Los Angeles.


                    Public Collections


                    The Frans Hals Museum, Haarlem, The Netherlands

                    Bodega

                    Bodega opened in New York in 2014. The gallery is focused on a diverse range of socially engaged practices of primarily emerging artists. The gallery grew out of an artist-run project space and has maintained a commitment to artistic practices at the ground level, providing the first New York solo exhibitions for many of the artists. The mission of Bodega Gallery is to create a place that will inspire both beginning and established artists as well as bringing the community together to understand the extraordinary role art plays in everyday life.


                    Image courtesy of the artist and the gallery.

                    Something You've Been Meaning to Say, 2020

                      Slight Unseen Changes, 2020

                        Elizabeth Orr (b.1984 )

                        Elizabeth Orr’s (b. 1984, Los Angeles, CA, USA) is an artist based in New York.


                        In 2018 she received a Public Affairs Grant Program, from the US Embassy and in 2016 she won the MAAF NYC award for her video MT RUSH (2016). She has taken part in various residency programs including EMPAC, at Rensselaer Polytechnic Institute (Troy, NY), Shandaken (New York), Bemis Center (Omaha, Nebraska), Real Time & Space (Oakland, CA), and Recess (NY, NY).


                        Orr manages the estate of her late father, artist Eric Orr (1939-1998) and is on the board of KAJE, Brooklyn, NY. She lives and works in Brooklyn, NY and graduated from the Bard MFA program with Honors in 2015.


                        Recent selected solo exhibitions


                        The Over There, VIN VIN, Vienna, Austria, 2021

                        Spirits in Rotations, RPFA, Los Angeles, CA, 2020

                        Vivid, Pylon, Dresden, NY, 2018

                        Our Hallway is Surrounded, Bodega, NY, NY, 2017


                        Her videos have screened with Art in General, NY, NY 2018; Caro Sposo, Paris, FR, 2018; Tranzit Display, Prague, CZ, 2018; Santarcangelo Festival; Santarcangelo di Romagna, Italy, 2017; Atlanta Contemporary, Atlanta, Georgia, 2015. Her video works have been commissioned by The Harvard Carpenter Center, Cambridge, MA, and MOCAtv, Los Angeles, CA.

                        Bodega

                        Bodega opened in New York in 2014. The gallery is focused on a diverse range of socially engaged practices of primarily emerging artists. The gallery grew out of an artist-run project space and has maintained a commitment to artistic practices at the ground level, providing the first New York solo exhibitions for many of the artists. The mission of Bodega Gallery is to create a place that will inspire both beginning and established artists as well as bringing the community together to understand the extraordinary role art plays in everyday life.


                        Image courtesy of the artist and the gallery.

                        From Above, 2018

                          To Feel the Warm Sun on My Face, 2018

                            Jeffrey Gibson (b.1972 )

                            Jeffrey Gibson’s multimedia practice synthesizes the cultural and artistic traditions of his Cherokee and Choctaw heritage with the visual languages of Modernism and themes from contemporary popular and queer culture. His work is a vibrant call for queer and Indigenous empowerment, envisioning a celebration of strength and joy within these communities.


                            Jeffrey Gibson (b. 1972, Colorado Springs, CO) grew up in major urban centers in the United States, Germany, Korea, and England. He received a Bachelor of Fine Arts in painting from the School of the Art Institute of Chicago in 1995 and Master of Arts in painting at the Royal College of Art, London, in 1998. He is a citizen of the Mississippi Band of Choctaw Indians and is half Cherokee. He is currently an artist-in-residence at Bard College and lives and works near Hudson, New York. Gibson is a recipient of numerous awards, notably a MacArthur Foundation Fellowship (2019); Joan Mitchell Foundation, Painters and Sculptors Award (2015); and Creative Capital Foundation Grant (2005).


                            Recent selected solo exhibitions


                             ALL GOOD FIRES, Sikkema Jenkins & Co., 2021 

                            It Can Be Said of Them, Roberts Projects, Los Angeles, CA, 2021 

                            Material Issues: Strategies in Twenty-First Century Craft, Utah Museum of Contemporary Art, Salt Lake City, UT, 2020 

                            Nothing is Eternal, CCA Wattis Institute for Contemporary Art, San Francisco, CA, 2020 

                            She Never Dances Alone, Times Square Arts, New York, NY, 2020 

                            Jeffrey Gibson: When Fire Is Applied to Stone It Cracks, Brooklyn Museum, Brooklyn, NY, 2020 

                            Jeffrey Gibson: Time Carriers, Esker Foundation, Calgary, AB, Canada, 2019 

                            Jeffrey Gibson: CAN YOU FEEL IT, Kavi Gupta, Chicago, IL, 2019 

                            Jeffrey Gibson: The Anthropophagic Effect, New Museum, New York, 2019 

                            Jeffrey Gibson: Speak to Me, Oklahoma Contemporary Arts Center, Oklahoma City, OK, 2017 


                            Public Collections


                            Whitney Museum of American Art, New York

                            Denver Art Museum, Denver

                            Museum of Fine Arts, Boston

                            Smithsonian Institution’s National Museum of the American Indian, Washington D.C.

                            National Gallery of Canada, Ottawa, Canada

                            Crystal Bridges Museum of American Art, Bentonville, AR

                            Sikkema Jenkins & Co.

                            Sikkema Jenkins & Co. is a contemporary art gallery located at 530 West 22nd Street in the West Chelsea arts district in New York City. Founded in 1991 by Brent Sikkema as Wooster Gardens, the gallery was originally located on Wooster Street in SoHo. In 1999 the gallery moved to its present location, which later underwent extensive renovation and expansion.


                            Sikkema Jenkins & Co. exhibits work in a variety of media including: painting, drawing, installation, photography and sculpture. The program includes important established artists such as Tony Feher, Arturo Herrera, Sheila Hicks, Vik Muniz, and Kara Walker, as well as emerging talents like Josephine Halvorson, Louis Fratino, and Erin Shirreff. Aside from its represented artists, the gallery collaborates directly on exhibitions and projects with other artists.


                            Brent Sikkema began his gallery work in 1971 as Director of Exhibitions at the Visual Studies Workshop in Rochester, NY.  He opened his first gallery in 1976 in Boston, MA. The other principal in the gallery, Michael Jenkins worked on several projects with the gallery since it opened in 1991 and in January 1996 he joined the gallery as director.  He became a partner in 2003.


                            Image courtesy of the artist and the gallery.

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